2.0 (U/A)
29/Nov/2018 Sci-fi, Adventure 2hrs 28mins 52sec

3.25

Shankar's Magnum Opus Is Expensive And Exhaustive

2.0 is without question an important film of the year. 2Point0 will satisfy indiscriminate devoted fans of Rajini and Shankar. It will also impress the younger audience who may appreciate the video-gaming style action sequences. The adult audience looking for depth and logic will find it exhausting ...(more)

Source: Movie crow editorial borad, MovieCrow

3.75

Shankar fuses technology, fiction and showmanship brilliantly to reload Rajinikanth's superstar swag in this must watch grand sequel.

On the whole, without giving up on Superstar's swag, Akshay's performance and his love for spectacularly grand scenes, Shankar presents us with a product that cannot be sidelined. With contemporary touches and technological infusions, 2.0 is a brand that could stand tough against the biggest of Holl...(more)

Source: Behindwoods Review Board, Behindwoods.com

3.75

Source: Behindwoods Review Board, Behindwoods.com

4.75

Source: PRasanth, Prashanth

3.25

Shankar's story is pedestrian; but VFX, Rajinikanth and Akshay Kumar carry the day

Shankar, for a change, has only one full dance song, the hit number from AR Rahman � 'Enthira Logathu Sundariya' that plays out only with the end credits. The fight in the climax between the giant robots reminds you of the action scenes from the Transformers franchise. The film works largely because...(more)

Source: Sreedhar Pillai, Firstpost.com

3.00

A film that is part sci-fi, part horror, part vigilante movie and part special effects spectacle.

It is only with the entry of 2.0 (Rajini, again), which happens a little late than it should have, that the film gets some much-needed energy. As he did in the first film, Rajinikanth digs into this role with his inimitable style and performs with relish. There is even a self-referential punchline t...(more)

Source: Suganth, Times Of India

2.00

Despite Rajinikanth And Akshay Kumar, Bunkum Is Bunkum

The right-versus-wrong tropes that 2.0 employs are trite, but the battle at the heart of the film - it pits a warped model of development against the need for ecological conservation in a no-holds-barred fantasy - has moments that are thought-provoking and entertaining at once. But even for Rajnikan...(more)

Source: Saibal Chatarjee, NDTV Movies

3.00

A Sensory Overload That Becomes Too Exhausting

Shankar's cinema uniquely combines scale with social message. Just in case you've missed the point of this film, at the end, Dr. Vaseegaran spells it out again. Like everything else in 2.0, it's a tiring overdose. (more)

Source: Anupama Chopra, Filmcompanion.in