Critics Review

3.00

Aishwarya Rajesh shines in Farhana, an inventive thriller

Despite limited locations, the cinematographer skillfully imparts thrills, immersing the audience in Farhana's world. The character of Jithan Ramesh, who portrays Aishwarya Rajesh's husband, is well-crafted as a progressive Muslim man with his own insecurities, and Ramesh delivers a commendable performance. Aishwarya Dutta, seen primarily in the first half, impresses with her noteworthy portrayal. Justin Prabhakaran's background score effectively heightens the tension inherent in such a plot, complemented by seamless editing. While Farhana may encounter occasional pacing issues, it ultimately soars, showcasing its strengths.(more)

Source: Logesh Balachnadran, Times Of India

3.00

Quite A Satisfying Dramatic Thriller!

The film has its hits and misses, but didn�t fail at any point. The different backdrop, call center path to reach the conflict, unique way of approaching the villain character and a decent screenplay makes it a neat watch.(more)

Source: Ashwin Ram, Manatelugu.in

3.50

Go for this mostly engaging thriller driven by Aishwarya Rajesh's arresting performance

Apart from the terrific cast the film has quite a few pluses with the primary being the Muslim backdrop for the heroine that lends novelty. The lewdity that men resort to in the guise of friendly chat provides some fun in the first half. The introduction of the mystery man turns things on its head and the thriller elements take over right till the end. Farhana using technology to turn the tables on her tormentor provides a high. The metro train and its tunnels are cleverly used as tools to convey the tumultuous emotions. There are a few masterful directorial touches like Jithan Ramesh clearing the sink to help Aishu make a decision, the transformer wires flaring up and Farhana crossing her threshold on the train. The scene in which the husband and wife reconcile is poignant.(more)

Source: Indiaglitz, IndiaGlitz.com

2.50

Aishwarya Rajesh's film is a taut thriller, but its messaging is messy

In fact, Farhana is like a fish in the sea. She swims and swims and eventually gets caught in a web of lies. In the film, she gets trapped when she places her �trust� in a stranger. This is where the gaze of the film changes. Some of the scenes could be perceived differently. Take for example, how Azeez Bhai yells at Farhana when a cop steps into their home. He blames her saying that women who are educated will always invite trouble. While it showcases the thought process of an old man, it could be perceived differently as well. Remember how certain people clapped for Rangaraj Pandey�s dialogues from Ajith�s Nerkonda Paarvai?(more)

Source: Janani, India Today