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Critics Review
3.25
Oru Naal Koothu - A breezy little film that is actually more
The film is never judgmental and paints no one black. The characters are well defined and what is more interesting is that the director has not tried to give any reason as to why these people behave this way.(more)
Source: Bharath Vijayakumar, MovieCrow
3.00
Like a little dance of life
Still, I walked out appreciating the director�s determination to not opt for easy happy endings. At this point, he�s better at character development than plot development � but that�s no small thing. And individual scenes are directed very well. Note the stretch where Lakshmi gathers some guts and calls a man who said he liked her. She steps out of the house. She dials his number. He doesn�t pick up. She goes back inside. Then he notices the missed call. He calls. Over the sound of the ringing phone, we see her scurrying out again. It�s like a little dance of life.(more)
Source: BARADWAJ RANGAN, The Hindu
3.00
A Refreshing Take On Contemporary Marriage!
Justin Prabhakaran's music stands out in the technical department. Both his songs and background score play a huge role in enhancing the overall feel. While Gokul's cinematography adds solidity to the film, editor VJ Sabu Joseph could've shortened the movie's length, especially in the second half. Screenplay by Nelson is quite enjoyable as the movie manages to keep you interested till the very end. Oru Naal Koothu is a refreshing take on contemporary marriage, which most of us will relate to. (more)
Source: Avinash Gopinath , One India
3.00
Impressive
Overall, the brisk pace, fine performances of lead actresses and intelligent narration makes Oru Naal Koothu definitely worth a watch. (more)
Source: Moviebuzz, Sify.com
3.30
Message driven home with a fun coating
Go for it and enjoy a fun filled film, that has an engaging screenplay and conveys its message convincingly. (more)
Source: IndiaGlitz , IndiaGlitz.com
2.50
ONK is a decent take on marriage alliances, but lacks an engaging screenplay.
Dinesh�s makeover is refreshing after seeing him in clich�d bearded rough looks. Ramesh Tilak as an RJ is a surprise choice and Charle with limited time space proves his worth. Balasaravanan provides the occasional laughter. Mia George does not have too much of talking to do, so has to convey all the emotions through her expression. Even though all the leads have done their bit, one feels some of them could have emoted better, especially during few heart-rending scenes which look flat.(more)
Source: Behindwoods Review Board, Behindwoods.com