Critics Review

2.00

The start that appeared promising soon sags.

One pleasing aspect of ad filmmaker Jayendra's debut feature movie, Nootrenbadhu is its enticing visuals that often move across the screen in perfect harmony. Unfortunately, as has often been the case with ad filmmakers turning to movie direction, Jayendra in his effort to create picture perfect frames slips on content. With the screenplay leaving a lot to be desired, Nootrenbadhu flounders. Performances seem at best superficial, even exaggerated, further marring the narrative.(more)

Source: Gautaman Bhaskaran, Hindustan Times

2.50

180 is a cliche.

The production values are brilliant, Balasubramaniem's camera-work is spotless, Sharreth's music is easy on the ears while V.Selvakumar's artwork is all cool. Then you come down to the story, penned by writers Subha and Jayendra himself. And you wonder exactly how and where it goes, or if its even going anywhere which ends up being even more of a suspense than the plot-twist itself. 180 is a visual feast, no doubt about it. Sadly it falls prey to clichés and lagging pace.(more)

Source: Pavithra Srinivasan, Rediff.com

2.50

Great visuals, wonderful colors, weak screenplay.

Jayendra's writing is filed with innovative ingredients that are going to garner lot of fans. But it would be the same unique narration that might not have takers among a huger section of the audience. At the end, one gets a feeling that the screenplay, especially in second half might be the weakest link. Jayendra wields complete control over technical departments, especially on cinematography, costumes and set works. Background score by Sharreth is literally loud and harsh.(more)

Source: Editorial Board, Behindwoods.com

2.50

Stylish but lacks substance.

The story is as old as the sea, and the narrative, at the risk of keeping it real, fails to engage. What starts off promisingly meanders to become a slow kill. Siddharth makes a noteworthy re-entry into Tamil films. Both Nitya Menen and Priya Anand play their roles with ease. The music by Sharreth passes muster. Cinematographer Balasubramaniem seems to have had a field day. The camera work and the post production work are top-notch. (more)

Source: Karthik, The Hindu

3.00

The film is worth a look for its superior packaging with a touch of class.

There is something sweet about 180 or Nootrenbadhu, Jayendra's debut film as director. However the story here is hard to swallow. Despite the director's best efforts though, the film drags along because of a rickety screenplay that leaves you with too many questions unanswered. The entire film is held together by one-man Siddharth. He has given a matured, sharp-edged performance. Nithya Menen glides through her role effortlessly. Priya Anand wins our sympathies. (more)

Source: MovieBuzz, Sify.com

3.50

180 - When destiny meets drama.

The film that has story, screenplay and dialogues by Subha and Jayendra's film is no doubt a visual treat. Unfortunately the storyline is very familiar and the director has tried his best to leave an impression with his narration. Siddharth walks away with honors. Priya Anand has come a long way from her earlier movies. Nithya Menen plays her part well. The movie is entertaining and the locations and the background score are fresh and new. (more)

Source: Editorial Board, IndiaGlitz.com

3.50

All in all, a good effort that's bound to appeal to the urban youth, definitely worth a watch.

Clear, clean visuals. A good looking, well dressed cast. Nootri Enbadhu is an impressive directorial debut with an interesting plot, good pace, well-picked stars, apt music and a twist in the tale! Siddharth carries the entire movie on his shoulders and at no point does he show the slightest strain. Priya looks gorgeous. Going beyond looks, we must add that in terms of acting and emoting, she is on target. Nithya Menen does her part well. (more)

Source: Padma Iyer, galatta.com