Critics Review
2.50
Sharwanand, Krithi Shetty starrer is a lighthearted rom-com with occasional fun moments
Manamey is content being a lighthearted entertainer and when it brings in an antagonist (played by Rahul Ravindran), it does not hit the right note. The part is poorly written. A business rival of Vikram�s friend, he periodically tries to kidnap and kill the child! At first projected as a monster, it is laughable how he is cut down to size and is later nowhere to be seen.(more)
Source: SANGEETHA DEVI DUNDOO, The Hindu
3.00
Sharwanand charms in a visually captivating narrative
Manamey is a delightful blend of romance and comedy, with a touch of emotional drama, making it a pleasant watch. Despite minor flaws in the narrative depth, the film's strong performances, visual appeal, and engaging music make it a worthwhile experience.(more)
Source: Paul Nicodemus, Times Of India
2.50
A familiar yet watchable, feel-good romp
Manamey that deal with the idea of an acquired family. There is also a potentially heartwarming story about two young people redefining the idea of love for themselves. Unfortunately, both of these gentle ideas are trapped in an overall half-baked film that does justice to neither. And yet, it�s hard to dismiss Manamey as a whole for its vibrant energy and a feel-good vibe that is rare to see in films these days.(more)
Source: Harsh, CinemaExpress.com
2.50
Sharwanand's film starts off as a fun ride, only to lose its direction with villains and mediocre melodrama
I believe that the villain of the story could have been the confusion and conflicts that arise in this relationship, with a child adding an interesting dynamic to the situation. Instead, the lead characters� romance seem a bit removed from the child. Sure, he is a consideration, and there is enough care and attention give to his presence in the film, but not enough is given when it comes to the relationship itself. It is about caring for a child, but what does having a child in a newly blooming romance really mean? This is not explored from an emotional angle, which made the film very superficial for me. It also left me wondering, why are we so reticent to explore the emotional aspect of plotlines such as this. Why do we only choose melodrama without emotional context?(more)
Source: Priyanka sundar, Firstpost.com