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Critics Review
3.00
Asif's movie has a good storyline and a careless climax
The narration takes us through the 80s in the beginning and even attach historical importance to the car through Indira Gandhi. The entire prelude is told connecting some historical incidents which is rather novel. The film's cinematographer is Faiz Siddik who delivers and in fact, like the music by Kedar, keeps the film afloat.(more)
Source: Gopika, Times Of India
1.50
More suited for Maruti lovers than movie lovers
Though Mahesh isn�t a visibly challenging character, it wouldn�t have been easy to showcase his inseparable bond with an inanimate object. But Asif Ali, despite the weak writing, manages to convince us with his earnest performance. One of the film�s very few memorable scenes is when he silently breaks down as he lets go of his car. Similarly memorable, albeit for the wrong reasons, is Mamta Mohandas� strange character arc in the film. Her Gauri initially comes across as the hero�s guiding force�like a Sathyan Anthikad/Imitiaz Ali heroine� before we learn about her true self and the purpose of her visit. There�s some clear deception involved here, but strangely, the makers opt to brush it aside and drive forward. How would Mahesh have reacted when he learnt the truth about Gauri�s visit? How would Gauri have convinced him? How would they reconcile? Leaving the audience to ponder over the characters and their future is a striking aspect of any good film. But not in such a strange manner.(more)
Source: Vignesh Madhu, Indian Express