Main Aur Charles (A)
30/Oct/2015 Thriller, Drama 123 Mins

Main Aur Charles

Critics Review

3.00

Movie Review

Prawaal Raman does a commendable job of recreating the 60s-70s. He also gets his protagonist's physicality and smugness bang on. Working on a wafer-thin account given to him by the real-life Delhi cop, Amod Kanth, Raman still manages to infuse life (at least partly) into this film and into the life of the notorious killer.(more)

Source: Meena Iyer, Times Of India

2.00

Shoddy direction fails Randeep Hooda, Richa Chadha's performances

Prawaal Raman's direction is like the stitching of a tailor who has amazing fabric but isn't quite sure what dress he wants to make. We get to see different shades of Charles, but there is very little what we are told about his psyche or what goes in that brain.(more)

Source: Tushar P Joshi, DNA

4.00

Main Aur Charles is a cool, compelling, winner

Randeep Hooda, in the performance of his career, plays Charles with immense flair, hoovering up women and stunning men with his French-ish accent and overwhelming self-belief. (more)

Source: Raja Sen, Rediff.com

2.50

Of crimes and misdemeanors!

Director Prawaal Raman recreates the '60s and '70s era beautifully, and the film is high on visual style. (more)

Source: Sonai Chopra , Sify.com

2.00

Let this slithery serpent slip by

Main Aur Charles offers little to the audience: Neither do you get any insight into Shobhraj�s criminal mind, nor do you get to know the motive behind the psychopath�s schemes. While promoting the film, director Raman insisted that it is not Shobhraj�s biopic but is about the infamous Tihar jailbreak incident and based on the case files of police officer Amod Kanth.(more)

Source: Sweta Kaushal, Hindustan Times

2.00

Movie Review

Films dealing with crime, sex, drugs and con need to be full on flavor and theatrics and Raman�s Main Aur Charles gets that. The presentation of the late 80s when it comes to fashion is bang on so full marks for Raman on the visual aspects. Another impressive thing about the direction is the choice of lighting for scenes.(more)

Source: Surabhi Redkar, Koimoi