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Critics Review
1.00
Even Tiger Shroff can't leapfrog over this worn, moth-eaten storyline
But the 'seeties' are reserved for the villain in this 'heropanti' part two. As the campy, kohl-rimmed, lipsticked Laila, Nawaz is full-on, embracing the silliness of his role to match the tone of the movie. Too bad he's the only one: even Tiger is now looking same-old.(more)
Source: shubhra Gupta, Indian Express
0.50
Tiger Shroff, Tara Sutaria Starrer is Full of Zeropanti
Nawazuddin plays a magician in the film and even before the interval, I wished he could do some magic and transport me back home and save me from the torture. This Heropanti is full of Zeropanti. 'Dont' watch it even if you swear by Tiger Shroff.(more)
Source: Sonil, News18
1.50
Tiger Shroff's action skills and a usually brilliant Nawazuddin Siddiqui are wasted in this senseless, headache of a movie
Heropanti 2 is extremely loud, over-the-top, illogical and tests your patience. It's only Tiger's envious dance moves and top-notch action that give you some paisa vasool moments. And of course, musical renditions from AR Rahman, which might appear to be a misfit in the film, but bring some calm ami...(more)
Source: Monika, Hindustan Times
2.50
Scores high on action, but it stops at just that
Heropanti 2 offers a little bit of everything�action, drama, music, romance and exotic locations. The screenplay makes room for a mix of commercial movie elements, but where the film scores is its action department, which gives Tiger's fans ample to dig into. Looking for anything more than that, li...(more)
Source: Archika Khurana, Times Of India
3.00
Tiger Shroff, Nawazuddin Siddiqui film is full paisa vasool
A bit more focus on the storyline, plot and character development are what Heropanti 2 lacked.(more)
Source: Tanushree, India Today
1.00
Neither Tiger Shroff Nor Nawazuddin Siddiqui Can Salvage This Smashup
Heropanti 2 is the sort of film that would count for little unless you are an inveterate Tiger Shroff fan. It never stops trying the audience's patience. It trots off in various meaningless directions and jumps back and forth between time-frames with utter disregard for clarity and cohesion.(more)
Source: Saibal Chatterjee, NDTV Movies