Nee Enge En Anbe (U/A)
01/May/2014 Drama, Thriller 2 Hrs 18 Mins

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Critics: 5 Panel: 9 User: 82

Overall: 4.1 from 96 users

Nee Enge En Anbe
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Critics Review

2.75

Nee Enge En Anbe - A Highly Different Version of Kahaani!!!

Those who have watched Kahani will be surprised to see the Tamil version. Except for the basic thread the film is actually a completely different version from Sekhar Kammula. It is actually quite harsh to name this as a remake. This has worked in both ways for the film. All these changes keep the au...(more)

Source: Bharath Vijayakumar, MovieCrow

2.50

A decent thriller with Nayanthara in fine form

Director Sekhar Kammula has made key changes to the story and to his credit, he has invested a lot of original touches and hasn't brought any disgrace to the much celebrated original.(more)

Source: Editorial Board, Behindwoods.com

3.00

Not the best of remakes, but indeed a must watch

Director who's known to have given some good light hearted movies has indeed done the best with a remake which is sure to be enjoyed with family.(more)

Source: Editorial Board, IndiaGlitz.com

3.00

Nee Enge En Anbe Review

Anamika (Nayanthara), a young woman, comes to India in search of her husband Ajay (Harshvardhan). Even as a hit man is taking down the people she goes to asking for help, Anamika is told by Khan (Pasupathy), an encounter specialist, that her husband is in fact Milan Damji, a terrorist mastermind......(more)

Source: M. Suganth, Times Of India

3.00

Nee Enge En Anbe is a different Kahaani, but as fascinating - See more at: http://www.hindustantimes.com/entertainment/reviews/movie-review-nee-enge-en-anbe-is-a-different-kahaani-but-as-fascinating/article1-1214717.aspx#sthash.KlncWBTA.dpuf

Sekhar Kammula�s Nayantara starrer, Tamil film Nee Enge En Anbe, tells a different Kahaani than the one Vidya Balan helped Sujoy Ghosh narrate in his thriller set in Kolkata. In fact, the film (in Telugu, titled Anamika, and whose English translation would be, Where Are You My Love) has chosen to me...(more)

Source: Gautaman Bhaskaran, Hindustan Times